The “Molierian” words and plots proposed by Paolo Rossi overlap with the present in an ever-repetitive history: that of the conflict between power and the “outlaws”, between theatre and life.
The Rules of the Anarchist King regarding the theatre:
1) It is forbidden to tell a story in any form if you have not lived it more or less directly
2) It is the duty of the performer not only to perform, but also to improvise
3) The script is a rope suspended in nothingness, yet the comedian loves the void and does not seek out balance, only the stumbling block.